JAVS Recordings

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Hindustani Viola Music Recordings

The following musical examples accompany the article, “Experiencing the Viola in Hindustani Classical Music,” in JAVS vol. 31 Online Issue:

Audio excerpt of a performance of the ensemble: Ruwin R. Dias on viola, Gisa Jähnichen on bansuri, Chinthaka P. Meddegoda on tabla, and Andrew Filmer on violin

Illustration 6: Audio excerpt for the spectrographic excerpt for the short distance and long distance meends

Bob Cobert Viola Music Recordings

The following musical examples accompany the article, “Casting Some Dark Shadows: The Viola Music of Robert Cobert,” in JAVS vol. 30, no. 1:
Three Moods for Two Violas

Movement I
Movement II
Movement III

Scott Slapin, viola Tanya Solomon, viola

Contrasts for Viola and Cello

Scott Slapin, viola David Rosen, cello

Music for Only One Lonely Viola

Scott Slapin, viola

David Wallace: Were You There? Variations

The following musical example accompanies the article,“Walking in Mozart’s Shoes: Master the Art of the Improvised Variation,” in JAVS vol. 30, no. 1:

Were You There?: Sacred Caprice No. 2

David Wallace, viola

Manuel M. Ponce Trio Recording

The following musical examples accompany the article, “Manuel M. Ponce’s Trio for Violin, Viola, and Cello,” in JAVS vol. 29 Summer Online Issue:

Jorge Barrón, violin Cristina Pestana, viola Roberto Gómez, cello

Manuel M. Ponce: Trio for Violin, Viola, and Cello

Movement I
Movement II
Movement III
Movement IV

Tracy Silverman Olive Branch Recording

The following musical example accompanies the article, “Get in the Loop!” in JAVS vol. 28, no. 2:

Olive Branch

Tracy Silverman, electric violin

Trios for Two Recordings

The following musical examples accompany the article, “Trios for Two,”  in JAVS vol. 27, no. 2:

Molly Gebrian, viola Danny Holt, piano/percussion

Karl Blench: Second Take

I. The Beginning
II. Barbarism
III. Familiar Terrain
IV-V. In Abstract/The End

Christopher Goddard

Third Nature

Paul Elwood Capricious Apparitions Musical Examples

The following musical examples accompany the article, “Composing for Bowed Banjo and Two Violas: Programmatic Associations and process derived from Instrumental Color and Capabilities,” by Paul Elwood in vol. 26 Online Summer issue of the JAVS:

Juliet White-Smith, viola I Erika Eckert, viola II Paul Elwood, banjo

Example 1. Elwood Capricious Apparitions, movt. I, mm 7–11
Example 2. Elwood Capricious Apparitions, movt. I, mm 34–47
Example 3. Elwood Capricious Apparitions, movt. III, mm 14–24
Example 4. Elwood Capricious Apparitions, movt. V, mm 24–30
Example 5. Elwood Capricious Apparitions, movt. II, mm 1–14
Example 6. Elwood Capricious Apparitions, movt. II, mm 20–29
Example 7. Elwood Capricious Apparitions, movt. IV, mm 1–11
Example 8. Elwood Capricious Apparitions, movt. IV, mm 24–28
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